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開幕片導演:邁爾斯.莫古利斯科


邁爾斯.莫古利斯科 Miles Mogulescu

開幕片《工會女孩》導演


邁爾斯身兼多職,同時是製片、導演、律師、社運份子和作家。他在《工會女孩》中共同製作/執導,該片被提名奧斯卡最佳紀錄片。目前正在製作一部關於經典爵士和聲樂團-曼哈頓轉運站合唱團-的紀錄片。

曾任米高梅公司的資深副總裁,近年參與《進擊的鼓手》、《獨家腥聞》、《落日車神》、《花都教主柯蕾特》等影片的製作和發行。

邁爾斯的父親曾替馬丁路德金恩博士募款,跟他們家頗有私交。邁爾斯從小耳濡目染,受到金恩博士的啟發,一生致力於社會運動。大學期間就開始積極參與抗爭,近期在洛杉磯加州大學的論壇規劃關於健保單一保險人制度的議程,並籌辦「古巴製造」-南加州最大的當代古巴藝術展覽。

邁爾斯曾是赫芬頓郵報主要評論員,在十年內撰寫數百篇文章,目前是「我們的未來」與「共同夢想」獨立新聞網的定期撰稿人。


Miles Mogulescu is a producer/filmmaker,  entertainment attorney/business affairs executive, political activist, and writer.  He co-produced and co-directed Union Maids, a film about 3 women union organizers in Chicago in the 1930s and '40s, which was nominated for an Academy Award for Best Feature Documentary. He also produced Montana for HBO based on an original screenplay by Pulitzer Prize-winning writer Larry McMurtry. At the time of the Gulf War, he and music executive Danny Goldberg produced a super-star music video and accompanying documentary with new lyrics to Give Peace a Chance written by Lenny Kravitz, Yoko Ono, and John Lennon's son, Sean. He is currently producing a documentary on the iconic vocal harmony group, The Manhattan Transfer.

Professionally, he is a former Senior V.P. at MGM. He has recently represented the production, financing and distribution of such films as the Oscar-winning Whiplash, Nightcrawler starring Jake Gyllenhaal, Drive starring Ryan Gosling, and Colette staring Keira Knightley, and negotiated the terms of a new company with director Robert Rodriquez to produce and finance a slate of films.

He has been a lifelong political activist since the age of 12 when his father helped raise money for Dr. Martin Luther King, who was a guest in his home several times. He will never forget the impression which that extraordinary man made on him, which helped lead to a lifelong commitment to social justice.

As a college student, he organized protests at the University of Chicago. More recently, he organized a program on single payer healthcare at the Take Back America Conference, a 2-day conference on Money in Politics at UCLA Law School, and “Made in Cuba”, the largest exhibition of contemporary Cuban art ever held in Southern California.

As a writer, he was a leading commentator for the Huffington Post for its first ten years, writing hundreds of articles, and is currently a regular online contributor to Our Future and Common Dreams.


English Version

2019 Taiwan International Labor Film Festival

Taiwan International Labor Film Festival (TILFF) began in 2011. With the encouragement from Canadian Labor International Film Festival (CLIFF) and DC Labor Fest, Taiwan began its first labor film festival in Taoyuan and spread it to other cities. In 2016, Labor Department of Taipei City Government decided to organize labor film festival to promote the value of labor and union.

2019 TILFF is hosted by The Awakening Foundation. The Foundation plays an important role in advocating women's rights in many areas, including human trafficking, domestic violence, gender stereotyping, sexual harassment and discrimination in the workplace. This year, TILFF introduces labor issues with a gender perspective. We want to present the struggles of worker under gender stereotype and segregation, and how workers fight back to break through the gender barriers. 

All our screening activities are free by taking tickets outside the cinema.

Location

1. SPOT-Huashan Cinema / Oct. 26th-27th
No.1, Sec. 1, Bade Rd., Zhongzheng Dist., Taipei City 100, Taiwan (Link to Google Map)

2. GIS Taipei Tech Convention Center / Oct. 28th-Nov. 1st
Everlight Building 2F., No. 1, Sec. 3, Zhongxiao E. Rd., Da’an Dist., Taipei City 106, Taiwan (Link to Google Map)

3. National Taiwan Normal University (Gongguan Campus) / Nov. 2nd-Nov. 3rd
Lecture & Research Building 1F., No. 88, Sec. 4, Tingzhou Rd., Wenshan Dist., Taipei City 116, Taiwan (Link to Google Map)


Different But Same



A Bittersweet Dilemma

TWN │ 2018 │ Colour │ 48min │ G-rating
Taiwanese nurses are facing long-term overwork and related health problems. They were once committed to the Nightingale Pledge, dreaming of helping people. However, over 3000 people (about 40% of the licensed nurses in Taiwan) choose to give up their career as a nurse. This documentary wants to reveal what happened to them.

Tim Yang
Graduated from CGU School of Medicine, Tim now works as a resident doctor. During his work, Tim saw many nurses undergoing unreasonable work environment. He filmed A Bittersweet Dilemma in hopes of calling out attention and empathy for the healthcare professionals.  The documentary has won the Silver Award of International Independent Film Award in 2019.


Language: Mandarin
Subtitle: Mandarin

10/26 Sat. 15:45* SPOT-Huashan, 10/30 Wed. 19:00* GIS Taipei Tech




Battle Of The Sexes

USA │ 2017 │ Colour │ 122min │ PG-13
Emma Stone and Steve Carell bring their A game to this crowd-pleaser based on the electrifying true story of the 1973 tennis match between women’s champion Billie Jean King and former men’s champ Bobby Riggs. As fierce rivals on opposite sides of the court and the gender equality issue, Billie Jean and Bobby served up a cultural spectacle that resonated far beyond the sporting world.

Jonathan Dayton & Valerie Faris
Jonathan and Valerie have built an impressive body of work by perpetually seeking innovative projects in a variety of mediums. They have won two Grammy Awards for directing music videos and documentaries.  In 1998, they co-founded "Bob Industries", one of the leading commercial production companies. They’ve also done extensive work in television and film, including Little Miss Sunshine and Ruby Sparks.


Language: English
Subtitle: Mandarin

10/27 Sun. 12:30 SPOT-Huanshan



Pride

UK │ 2015 │ Colour │ 120min │ PG-13
It's the summer of 1984, Margaret Thatcher is in power and the National Union of Mineworkers (NUM) is on strike. At the Gay Pride March in London, a group of gay and lesbian activists decides to raise money to support the families of the striking miners. They set off in a minibus to a mining village in deepest Wales to make their donation in person. And so begins the extraordinary story of two seemingly alien communities who form a surprising and ultimately triumphant partnership.

Matthew Warchus
Matthew Warchus is a British director of theatre, opera and film. He was nominated and awarded in several prestigious theatre awards for best directing. As a film director, Matthew is known for Pride (2014) and Simpatico (1999).


Language: English
Subtitle: Mandarin

10/26 Sat. 18:25 SPOT-Huanshan



RBG

USA │ 2018 │ Colour │ 99min │ G-rating
The exceptional life and career of U.S. Supreme Court Justice Ruth Bader Ginsburg, who has developed a breathtaking legal legacy while becoming an unexpected pop culture icon.

Betsy West & Julie Cohen
Betsy and Julie are video journalists and filmmakers with over three decades experience in news and documentaries. They were nominated for a 2019 Academy Award in the Best Documentary (Feature) category for their work on RBG.


Language: English
Subtitle: Mandarin

10/26 Sat. 10:30 SPOT-Huanshan, 11/3 Sun. 16:00* NTNU Gongguan Campus




Migrate And Struggle



Lesbian Factory

TWN │ 2010 │ Colour │ 57min │ G-rating
In late 2004, 125 Philippines women migrant workers came to the Taiwan International Workers' Association (TIWA) to file complaints for not receiving their salary. While filming, there were sweet scenes of lesbian couples cuddling each other in front of the camera. This documentary of labor struggle unexpectedly became love stories. These women courageously fight against the state policies while struggling for love! (TIDF)

Susan, Su-Hsian Chen
After being a journalist for years, Susan has become a full-time labor activist since 1991. She joined the Full Shot Communication Foundation training workshop in 2003 and learned to make grass root documentaries. Since then she has filmed people in the movement and producing labor related documentaries. She also coordinated workshops, using visual media to empower and organize workers. 


Language: English
Subtitle: Mandarin

11/1 Fri. 19:00* GIS Taipei Tech



Rainbow Popcorn

TWN │ 2012 │ Colour │ 64min │ PG
Rainbow Popcorn is the sequel of Lesbian Factory. TIWA tracked down these workers and followed them overseas and continued to document their love and life stories. As lesbians and migrant workers, they are like migratory birds in the ever-changing world. Hard for us to keep up with.
Susan, Su-Hsian Chen
After being a journalist for years, Susan has become a full-time labor activist since 1991. She joined the Full Shot Communication Foundation training workshop in 2003 and learned to make grass root documentaries. Since then she has filmed people in the movement and producing labor related documentaries. She also coordinated workshops, using visual media to empower and organize workers. 


Language: English
Subtitle: Mandarin

11/1 Fri. 19:00* GIS Taipei Tech



Les filles du soleil (Girls Of The Sun)

FRENCH │ 2018 │ Colour │ 112min │ PG-13
In a bloody attack led by extremists, Bahar’s taken prisoner with her son, later snatched to become a child soldier. After her escape from sex slavery, she’s now the commander of a female battalion, Girls of the Sun. A French war journalist, Mathilde, comes to cover the attack and bear witness to the stories of these extraordinary warriors, united by their quest for hope, life, and liberty.

Eva Husson
French director and screenwriter. Les filles du soleil, her second feature film, was selected for the official competition in 2018 Cannes Film Festival. Eva participated in 2018 Women Make Waves Film Festival in Taiwan.

Language: French, Kurdish, English, Arabic
Subtitle: Mandarin

10/27 Sun. 18:00 SPOT-Huanshan



A Woman Captured

HUNGARY │ 2017 │ Colour │ 89min │ PG
A Woman Captured is about Marish, a 52-year-old Hungarian woman who has been serving a family for a decade, working 20 hours a day - without getting paid. Her ID was taken away by her oppressors and she's not allowed to leave the house without permission. Treated like an animal, she only gets leftovers to eat and no bed to sleep in.
Marish spends the days with fear in her heart, but dreaming of getting her life back.
The film follows Marish’s heroic journey back to freedom.

Bernadett Tuza-Ritter
Hungarian independent film director and editor specializing in creative documentaries and fiction. In 2013 she worked as a director in a project called Cinetrain – Russian Winter which won the audience award at Vision du Reel documentary festival. Her first feature length documentary A Woman Captured was selected by Sundance Film Festival 2018 – World Cinema Documentary Competition. It is the first Hungarian feature length film ever to compete at Sundance.

Language: Hungarian
Subtitle: Mandarin

10/27 Sun. 20:30 SPOT-Huanshan



Where We Belong

TWN │ 2017 │ Colour │ 30min │ G-rating
Da-hua who is an overseas Chinese in Myanmar. He and his daughter moved back to Northern Myanmar, seeking chances to earn a fortune through jade mining. His wife A-Bu who opened an Yunnan-Burmese cuisine restaurant, chose to stay in Taiwan with their five-year-old son for better education. The story is about this separated family.

Myo Aung
Myo Aung is a Burmese Chinese who is currently studying for a Master’s Degree in the Department of Filmmaking at Taipei National University of the Arts. His films focus on the status of Burmese living in Taiwan.


Language: Mandarin
Subtitle: Mandarin

10/27 Sun. 10:30 SPOT-Huanshan, 11/3 Sun. 19:20* NTNU Gongguan Campus




Stand In My Shoes



Off The Factories

TWN │ 2018 │ Colour │ 48min │ G-rating
Inside the factories, people work in the same uniform. When off work, workers all have their own life. The film documents 4 female workers: Su-Mei, Huang-Zhu, Mei-Hui and Huang Chou, provides stories about the obstacles at work and how they face the world with their resilience and strength.

Hsiao-Wen Hsu
Graduated from Department of Radio & Television, National ChengChi University, Hsiao-Wen is one of the directors of many films and TV series. She is currently a freelancer focusing on gender issues.

Language: Mandarin
Subtitle: Mandarin

10/27 Sun. 10:30 SPOT-Huanshan, 10/31 Thu. 19:00* GIS Taipei Tech



The War Of Roses

TWN │ 2002 │ Colour │ 59min │ G-rating
Four women from different places were experiencing similar fights against sexual harassment. Beneath these cases lies the imbalanced gender power relations and cultural structure that have haunted everyone. Produced by Awakening Foundation, this is the first Taiwanese film documenting sexual harassment.

Mickey Chen
Documentary film director, gender and human rights advocator and board member of Persons with HIV/AIDS Rights Advocacy Association of Taiwan (PRAATW).
In 1999, he released one of the first documentaries to focus on the gay community, Boys for Beauty. The film was then exported to Japan. He is an important icon in the era of time.


Language: Mandarin
Subtitle: Mandarin

10/26 Sat. 21:00 SPOT-Huanshan, 11/2 Sat. 19:45* NTNU Gongguan Campus



Tully

USA │ 2018 │ Colour │ 96min │ PG-13
The film is about Marlo, a mother of three, including a newborn. Marlo's brother gives her a night nanny as a gift. Hesitant with the extravagance at first, Marlo comes to form a unique bond with the thoughtful, surprising, and sometimes challenging young nanny named Tully.

Jason Reitman
A producer and director, known for Juno (2007). His comedy films often touch on serious subjects - Media spin and the dangers of cigarettes in Thank You for Smoking (2005), teen pregnancy in Juno, and economic downturn in Up in the Air (2009).


Language: English
Subtitle: Mandarin

10/29 Tue. 19:00* GIS Taipei Tech



Welcome To Playhouse

South Korea │ 2015 │ Colour │ 97min │ G-rating
Life changes for Soo-vin when she becomes pregnant at 23 before marriage. She struggles not to lose herself within all of her roles - wife, daughter-in-law, mother - and tries to maintain a sense of normalcy and self-understanding amid the chaos.

Soo-Vin Kim
Born in 1987, she majored in Broadcasting at Korea National University of Arts. When she was 21, she is an assistant director, interpreter and translator, participating in numerous musical projects. Her documentary Welcome to Playhouse (2013) was selected by Jeonju International Film Festival in 2015.


Language: Korean
Subtitle: Mandarin

10/27 Sun. 15:15* SPOT-Huanshan




Fight Like A Woman



CA$H

SINGAPORE │ 2018 │ Colour │ 12min │ PG-13
Four cashier aunties lock themselves up inside the supermarket late at night to protest against their job losses as the chain transits into a cashless system. The manager came and gave every good words. Will these auties accept his offer?

Wei-Ting Tan
Wei-Ting was learning theatre, until she entered film institute and fell in love with movies. Being a introvert, she worked as screenwriter and editor in short films and has won several awards. Ca$h is her directorial debut. The film was listed in the 41st Clermont-Ferrand International Short Film Festival in 2019.


Language: Mandarin, English
Subtitle: Mandarin

10/26 Sat. 15:45* SPOT-Huanshan



Union Maids

USA │ 1976 │ BW │ 52min │ G-rating
Sitdowns, scabs, goon squads, unemployment, hunger marches, red baiting and finally the energetic birth of the CIO :  the 1930s were a landmark period for the American labor movement. Union Maids is the story of three women who lived that history and make it come alive today. It was the first film of its kind–an oral history, using a wealth of footage from the National Archives to chronicle the fight to form industrial unions as seen through the eyes of rank and file women.

Jim Klein & Miles Mogulescu & Julia Reichert
Jim has been making independent film as director and editor since 1970s. He and Julia are the founders of the pioneering film distribution co-operative New Day Films and active in the filmmaker organizations that shaped the field. Julia has been called a godmother of the American independent film movement. She is a mom, a grandma, and a three time Oscar nominee for her documentary work. Union Maids is also co-produced and co-directed by Miles. He is a producer/filmmaker, entertainment attorney and political activist.


Language: English
Subtitle: Mandarin

10/26 Sat. 13:10* SPOT-Huanshan, 11/2 Sat. 14:00* NTNU Gongguan Campus



Deux jours, une nuit  (Two Days, One Night)

FRENCH │ 2014 │ Colour │ 96min │ PG
Sandra is a factory worker who has suffered from depression. Her workmates were offered EUR1,000 bonus in exchange for agreeing on her dismissal. Sandra has only a weekend to convince her colleagues to give up their bonuses in order to keep her job.

Jean-Pierre Dardenne & Luc Dardenne
Jean Pierre and Luc Dardenne started making documentary around 1980. They have always been caring for the blue-collar workers. Rosetta won the Palme d'Or at the Cannes Festival in 1999, marking them the first Belgian filmmakers ever to earn the honor. The labor law, Rosetta plan, which protects young workers in Belgium was named after the film.


Language: French
Subtitle: Mandarin

11/2 Sat. 16:30* NTNU Gongguan Campus



I Want My Children, I Want My Job

TWN │ 1999 │ Colour │ 40min │ G-rating
To tell people about pregnancy discrimination at work, Awakening Foundation invited Ms. Guo to film a documentary I Want My Children, I Want My Job. The film is about female workers being dismissed or bullied because of pregnancy. By sharing their stories, Taiwan government was urged to pass Act of Gender Equality in Employment in 2002. 

Awakening Foundation
In 1982 a group of Taiwanese women actively working towards gender equality published the "Awakening Magazine" in order to promote women's rights and self-awareness. Once the Martial Law lifted in 1987, the group members established the Awakening Foundation in order to further mobilize women and offer social resources to the community.


Language: Mandarin
Subtitle: Mandarin

10/26 Sat. 15:45* SPOT-Huanshan, 10/28 Mon. 19:00* GIS Taipei Tech



The Care Revolution: The Transformation of Home Health Care in Oregon

USA │ 2018 │ Colour │ 28min │ G-rating
The Care Revolution tells the inspiring story of the first wave of organizing by Oregon’s home care workers. Grounded in extensive interviews, the film traces the history and explains how union representation has transformed the lives of caregivers and improved the quality of care.
The union has encouraged community and political engagement among its members, helping them to find a “voice and a purpose” and “become a whole different person”. 

Sonia De La Cruz
Sonia is an Assistant Professor in Communication at the University of Washington. Her scholarship broadly focuses on media activism and collaborative media practices. Her research centers on US Latinx and Latin American, including indigenous and other marginalized communities. Sonia is also a filmmaker who has produced social-cultural and ethnographic documentaries, addressing human rights and social justice issues.


Language: English
Subtitle: Mandarin

10/26 Sat. 21:00 SPOT-Huanshan, 11/3 Sun. 14:00* NTNU Gongguan Campus

周邊活動



【影展周邊活動】妖艷之火:陳俊志回顧展The Seductive Mickey

時間:10/01~12/31 09:00~17:00(開放日期依據圖書館開放時間)
地點:台北市立圖書館啟明分館(105台北市松山區敦化北路155巷76號)

陳俊志作為性別運動的工作者,不只倡議了酷兒相關族群的生命史及自身的家庭與生命經驗,同時也協助關懷不同的受壓迫族群如婦女們。婦女新知基金會有幸於2002年委託陳俊志導演製作《玫瑰的戰爭》一片,呈現1993年至2000年四個不同個案面對性騷擾的處境,影像看似斑駁老舊,但同樣的問題仍持續發生,只是隱藏在角落陰影不被人看見。本次展覽從陳俊志導演相關生平作品做整理呈現相關脈絡,並放映早期作品《玫瑰的戰爭》、《美麗少年》,進行映後座談討論議題。

放映座談
10/12 10:00-12:00 (09:30開放報到入場)《玫瑰的戰爭》
10/12 13:30-15:00 (13:15開放報到入場)《美麗少年》



【影展周邊活動】線上書展:TAAZE X 勞工影展

時間:10/16~11/30
地點:台北市萬華區三水街70號

電影散場之後,是不是有時候還會有些疑惑、有些感觸、有些等待處理的事項縈繞心頭?勞工影展這次與TAAZE合作,針對影展節目提供不同的選書推薦,拓寬延伸的視角與廣度。散場,才是屬於我們每個人的勞力事。



【影展周邊活動】勞工歧路:你是勞工影展裡的誰?

時間:10/1~11/3

讓我們把時間倒回1990年代—那是一個性別工作平等法還沒通過的黑暗時期,女性經常在職場遭遇歧視與騷擾。如果你是那個年代的女人,會有什麼樣的遭遇?你的選擇又將帶你走向什麼樣的人生呢?

今年影展推出互動式的聊天機器人,只要傳送訊息給「2019勞工影展」臉書粉專,就能開始遊戲。結尾將帶你深入了解今年的精采好片,並揭露你是哪部片的主人翁!


【影展贈獎活動】老闆,我今天要去勞工影展打下班卡! 

上班下班打卡不稀奇,影展期間憑入場票在活動酷卡上集章,並於社群網站公開打卡,即可兌換限量精美好禮。快點!精美好禮等著你!

1.贈獎:看一場電影,持入場票於活動酷卡於上蓋章,並現場於 FB 或 Instagram 打卡,公開分享,即可兌換每日限量紀念品。
2.抽獎:看三場電影,於活動酷卡填寫觀影心得、留下基本聯絡資料,即可參加勞工影展周邊紀念品抽獎活動!(11月中將於影展臉書公佈中獎名單)

✻紀念品數量有限,送完為止。
✻使用提醒:影展現場提供的活動酷卡,本影展無法承諾老闆一定會認可,請小心使用QQ
✻以上活動主辦單位保有修改、變更或暫停本活動之權利,如有未盡事宜,以主辦單位相關規定或解釋辦理,並隨時補充公告。

場次表



                                                                                                                                                                                       


 


1. 以上場次,皆為開演前30分鐘排隊免費索票入場,標註★者安排映後或專題座談。
2. 主辦單位依嘉賓邀請狀況,保有場次、時間安排及調整之權。                                              

真情推薦


勞動與性別 -- 古典的議題、未竟的戰場

也許你好奇「婦女新知基金會」,一個成立37年的婦運團體,為什麼2019年接下勞工影展?先讓我說個故事-今年暑假我與夥伴到瑞典參訪,不論街角、公車、超市裡,四處都是爸爸獨自推著娃娃車,自在地和孩子在一起的畫面。在臺灣,這或許是引人側目的特例;在瑞典,卻是理所當然的生活日常。

在瑞典的家庭支持中心,好幾位正在請育嬰假的爸爸,不是滑手機或手忙腳亂,而是專心看著孩子爬上爬下,帶孩子唱歌、玩玩具。大家或許疑惑:這些爸爸不用上班嗎?於是我鼓起勇氣問:「你為何請育嬰假?公司如何安排工作?」瑞典爸爸不假思索地說:「這是我的權利啊,老闆知道他不能說不!而且我的伴侶也想上班啊,『公平』是親密關係中重要的吧?我也不想錯過孩子成長的時光!至於誰接替我的工作?這是老闆的責任,不是我要擔心的?」

我到現在都還記得,聽到瑞典爸爸說得如此不加思索時,內心的感動。

我要說的不是外國月亮比較圓。翻開瑞典的歷史,這樣的勞僱關係和父職認同從來不是「天生」的文化差異、或東西方「基因」不同。而是許多瑞典勞工和婦女運動在異中求同,從勞動市場、性別平等、托育制度的法規、性平教育,一步一步爭取來的!或許當代的全球化與自由主義的襲擊,讓北歐勞動保障受到挑戰,但職場中的性/別平等和友善家庭,早已生根、發芽、茁壯,支撐著制度的理所當然、支撐著性別平等的抬頭挺胸!

1984年,臺灣政治尚未解嚴。在那個年代,女性就業是為了貼補家用,而不是為了自我實現;當時很少女性擔任司機、醫師、校長等職務;女性懷孕、就會/得離開職場;女性遇到在職場被開黃腔、性騷擾幾乎被噤聲。這是距今三十多年的臺灣女性勞動地景。

於是婦運前輩成立了婦女新知基金會,從1989年提出民間版「男女工作平等法」草案(現為性別工作平等法)開始,對抗各種就業歧視與差別對待,並提倡男女(後改為性/別)及國家共同分擔養育責任。在那個「照顧=母職=無私功德」的年代,婦女新知基金會提出育嬰假制度,被視為不切實際的主張,一再被擱置,直到 2001 年才通過立法。而且再等七年才首次透過育嬰津貼肯認照顧的「市場價值」!

從法律與國家體制撐出勞動現場的性別平等,是一種倡議路徑,但我們也深知,徒法不足以自行。許多對勞權無動於衷的、虛應故事的違法雇主,還有尚未長出勞動意識的勞工仍然存在。工會的組織與參與是由下而上的草根力量,是改變勞動現場不平等的重要力量;而勞動的性別議題晚近才被看見、受重視,緩慢跟上。

回到最初的提問:婦女新知為何在2019年承辦勞工影展?因為我們看見勞動現場的性別不平等看似減少、但仍存在;我們肯認勞工與性別議題的交織與團結的重要;我們知道法律建置,是改變性別不正義的方法之一;但有時很硬的新聞稿、很長的聲明、複雜的法律內涵,可以用一個故事、一個畫面,更能透顯制度中人性的掙扎和溫度。

誠摯邀請你,進電影院看這些在工作與家庭中掙扎的—生命的溫度、歷史的厚度、運動的力量、未竟的挑戰。我們會在平權路上持續前進,也邀請你同行!不論勞工、雇主,一起為臺灣撐出一個性別友善的勞動文化與制度空間。



國立中正大學社會福利學系暨研究所
副教授 王舒芸



說故事/聽故事/改寫你我她的勞力事

美國前總統歐巴馬及蜜雪兒夫婦離開白宮後,努力投入「說故事」的行列。近期交出首部投資創作的紀錄片「美國工廠」(American Factory):一部講述中國汽車玻璃製造商至美國俄亥俄州戴頓(Dayton)設立跨國企業,勞工們從歡欣,一路走到跨文化勞資衝突,不得不自組工會的歷程。

「為什麼是紀錄片?」歐巴馬夫婦經常被問。

蜜雪兒和歐巴馬一直相信,說故事(story telling)才是真正能夠影響人心,為世界帶來改變的言說行動。特別是「看得見」的故事,讓片中的人物為自己說話,也讓觀眾聽見世界上其他角落正在進行的人生,跟此刻坐在戲院看電影的我們,有著多麽相似與差異的處境。走出戲院後,你我她又能為彼此做些什麼?

臺北市勞動局主辦的第四屆勞工影展即秉此初衷,2019年與婦女新知基金會合作,以「像女人一樣工作」(working like a girl)為主軸,引領觀眾透過紀錄片、劇情片的角度近身觀察,女性在各式各樣的職場奮戰不平等的故事。二十部精選佳作,分別來自臺灣、法國、新加坡、美國、韓國、匈牙利等地,主題單元涵蓋「不一樣又怎樣」、「直到你感同身受」、「漂洋過海討生活」、「像女人一樣戰鬥」,議題廣泛延伸至職場性騷擾、同工不同酬、移工權益、女同志及中高齡女性勞動權等。

我們相信,你我她每個人都有一個屬於自己的勞力(故)事,需要大家共同關注。因為,「個人即政治」(personal is political),發生在個體身上的幽微體驗,很可能是眾人的集體經驗。而唯有結合眾人之力,一齊發聲,那些本來看似渺小的角落故事才能夠在被說出、聽見之後,有機會共同改寫。

今年秋天,婦女新知基金會想和您坐在一起,感同身受世界各地的勞力事。也期待您聽完故事後,能夠與身邊的人開啟更多職場的性別平權討論與對話。讓改變從看電影開始!


世新大學口語傳播學系
副教授 李佩雯

局長的話


勞工影展辦理至今已邁入第4屆,從2016年起,我們已經討論了青年貧窮、全球化、過勞、產業變遷及產業民主等議題,而這些青年勞工最關心的議題,影展透過影像提出了「發聲」、「行動」及「組織工會」等解方,來省思目前的勞動環境,獲得了許多的迴響;不過近年我們發現,性別工作平等法雖已於2002年公布實施,並納入雇主責任,讓企業無法置身事外,職場看似已性別平等,但仔細觀察卻還是發現,針對特定性別的歧視、騷擾、惡意開除等仍時有耳聞,因此促進職場性別平等、禁止性別歧視、防治職場騷擾以營造友善職場,一直是勞動局努力的方向。我們也率全國之先,發布「臺北市職場性別平等指標」,研擬了7大指標項目,從個人發展到家庭,再擴及職場安全,乃至於決策,由微觀而鉅視,將性別平等融入勞動價值與軸心,供企業及外界依循。

爰此,本屆影展鎖定勞動環境中的性別議題,以「你我她的勞力事」為題,透過影像的流動,檢視國內外性別及勞動的軌跡,是如何交織成目前的社會樣貌,進而省思性別刻板印象,是如何影響你我的職場及生活。而18部來自臺灣、美國、英國、法國、南韓、新加坡、匈牙利等國的影片,共有4大單元「不一樣又怎樣」、「直到你感同身受」、「像女人一樣戰鬥」、「漂洋過海討生活」,探討性別刻板印象、職場性騷擾、懷孕歧視、移動的工人及工會組織經營與實踐等主題,從1976年出品的開幕片《工會女孩》,到2018年關切家庭照顧者權益的《照顧的革命》,跨越40年,從微觀的個人故事,到巨觀的社會現況,引領觀眾從性別視角重新檢視周遭的勞動現場,透過同理及合作,扭轉勞動場域因性別或性傾向產生的歧視及不平等待遇,讓性別平權落實到工作職場及生活的各個面向。

2019臺北勞工影展在10月26日至11月3日期間,於光點華山電影館、集思北科大會議中心及師大公館校區等地放映,除了影片放映,亦安排多場映後座談,邀請專家學者參與引言討論及與觀影者互動,希望透過影像傳播及影同身受的觸動,讓觀影者能分享彼此的想法及進行深刻的探索與思辨,讓影像延伸成為勞動者與社會對話的介面,在呈現他國寶貴的經驗之餘,為臺灣社會注入嶄新的性別思維及觀點,竭誠歡迎各位朋友共襄盛舉。


臺北市政府勞動局局長
賴香伶 謹識